Türk Sı̇nemasının Yakın Dönem Hasletlerı̇ Daha Filminde Mülteciliğin Alegorisi

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dc.authorid0000-0002-0814-6915en_US
dc.contributor.authorKına, Sezer Ahmet
dc.date.accessioned2020-01-15T14:34:38Z
dc.date.available2020-01-15T14:34:38Z
dc.date.issued2019en_US
dc.departmentMAÜ, Fakülteler, Güzel Sanatlar Fakültesi, Radyo, Televizyon ve Sinema Bölümüen_US
dc.description.abstractTurkish cinema has been existed at important moments since its institutionaliza- tion. These moments have been classified by the researchers who developed the li- terature of cinema studies on the temporal and narrative and stylistic scales. since it is an art form that has a social context in the foreground, cinema has a struc- ture fed by social disengagements and continuities. For this reason, in this study in which the recent period of Turkish cinema is chosen as the universe, the histo- rical process of Turkish cinema other than the recent period has also been shown. Thus, the heritage of recent Turkish cinema has been explained. In this study, it is argued that immigration and refuge are among the traits of recent Turkish cinema. This argument was made by selecting the More [Daha] film. In this study, where immigration and refuge are coded as a necessity and an escape, it has been found in the international literature that national cinemas are affected by the migration processes and in this context the situation of Turkish cinema has been examined. In the film, refuge and immigration has been allegorically analyzed by looking at the plot, the lateral processes, the confinement of refugee and the escape story of the main actor Gaza. In this context, this study focuses on the relationships between Ahad and other characters in human trafficking and his conflict with Gaza. Finally, Gaza’s alternatives to life have suffered. It has been shown that he has taken over evil and mentally chose to be a refuge.en_US
dc.identifier.citationKINA, Sezer Ahmet (2019). Türk Sı̇nemasının Yakın Dönem Hasletlerı̇ Daha Filminde Mülteciliğin Alegorisi. (Ed.) Emrah DOĞAN. Turkish Cinema researches Vol. 1 (57-70). London: IJOPEC.en_US
dc.identifier.endpage70en_US
dc.identifier.startpage57en_US
dc.identifier.urihttp://www.ijopec.co.uk/wp-content/uploads/2020/01/2019_30.pdf
dc.identifier.urihttps://hdl.handle.net/20.500.12514/2143
dc.language.isotren_US
dc.publisherIJOPEC Publicationen_US
dc.relation.ispartofTurkish Cinema researches Vol. 1en_US
dc.relation.publicationcategoryKitap Bölümü - Uluslararasıen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectRecent Turkish Cinemaen_US
dc.titleTürk Sı̇nemasının Yakın Dönem Hasletlerı̇ Daha Filminde Mülteciliğin Alegorisien_US
dc.title.alternativeThe Traits of Recent Turkish Cinema The Allegory of Refuge in More [Daha] Filmen_US
dc.typeBook Chapteren_US

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