Moda Felsefesi ve Taklidin Etnografisinin İzini Terzilik Rutini Üzerinden Sürmek
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Tarih
19.07.2019
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
Akdeniz Üniversitesi
Erişim Hakkı
info:eu-repo/semantics/openAccess
Özet
Bireylerin cisimleşmiş birer toplumsal özne olarak çözümlenmesi, literatürde bedene ilişkin yürütülen araştırmaların çıkış noktasını oluşturmuştur. Bedeni toplumsal bir öğe olarak kavramak, bedende birleşen her tür kültürel anlamın denetlenmesini, düzenlenmesini ve/veya yeniden üretilmesini ele almayı ve irdelemeyi gerekli kılmaktadır. Bedenin ahlâken ve tecimsel yollarla toplumsal olarak üretildiği savunusu, moda felsefesinin sosyal bir anlam taşıyan dış-beden üzerindeki normatif etkisine dair malûmat toplanabilecek ve üzerinde çalışılabilecek bir rutinin varlığını haber vermektedir. Buradan hareketle, yürütülen çalışmada anılan bu rutinin terzilik rutiniyle kesiştiği noktada doğduğu varsayılan taklit mekanizmasının mahiyeti etnometodolojik bir yordamla irdelenmiştir. Sahada ulaşılan temalar, kapitalist ekonomik işleyiş içerisinde toplumsal tasarım araçlarından biri olan kültürel melezleşmenin her bireyi eşit şartlarda değerlendiren, buradan hareketle de soğurucu bir öze sahip olan yapısının bireyler ve beden üzerindeki izdüşümü gözetilerek anahtar kavramlar ekseninde tartışılmıştır. Sonuç olarak, taklit mekanizmasının bireylerin giyinmeye ilişkin tasarruflarındaki tercihleri açısından etki sahibi olduğu görülmüştür. Bu noktada, modanın ve onun taklit mekanizmasıyla izini süren bireylerin kurduğu kamusallıkların dış-bedende cisimleşmesinde terzilik rutininin önemi serimlenmiştir. Ortak bir düşünme ve eyleme biçimi olan ve o ortaklıklardan sıyrılmaya izin veren bir itki barındıran modanın, dış-bedenin sınıfsal olarak şekillendirilmesi bağlamındaki üretiminde, döngüsel bir fenomen olmasının ve bu yüzden öngörülemez bir manevra alanı içinde bulunmasının altı çizilmiştir.
The analysis of individuals as embodied social subjects constitutes the starting point of the researches carried out on the body in the related literature. To grasp the body as a social element necessitates the consideration and examination of the control, regulation and/or reproduction of any cultural meaning that is united in the body. The advocacy that the body is socially produced through moral and commercial means informs the existence of a routine that can be collected and studied on the normative effect of fashion philosophy on the external-body with a social meaning. In this study, the nature of the mechanism of imitation that was supposed to be born at the point where this routine coincides with the tailoring routine, is examined by an ethnomethodological way. The themes reached in the field are discussed in the axis of key concepts by considering the projection of cultural hybridization, which is one of the social design tools in the capitalist economic process, on the individuals and body and evaluates each individual under equal conditions and thus has an absorbing essence. As a result, it is seen that mechanism of imitation has an effect on the individuals preferences of dressing. At this point, it has been shown that the embodiment on the external body of the publicness formed by the fashion and individuals who follow the fashion via mechanism of imitation have a certain importance in tailoring routine. It is underlined that fashion, which has a mutual form about thinking and action, and which contains a motivation that allows to be released from this mutualisation, is a cyclical phenomenon in the context of shaping mediated social class of the external-body and therefore is in an unpredictable room for manoeuvre.
The analysis of individuals as embodied social subjects constitutes the starting point of the researches carried out on the body in the related literature. To grasp the body as a social element necessitates the consideration and examination of the control, regulation and/or reproduction of any cultural meaning that is united in the body. The advocacy that the body is socially produced through moral and commercial means informs the existence of a routine that can be collected and studied on the normative effect of fashion philosophy on the external-body with a social meaning. In this study, the nature of the mechanism of imitation that was supposed to be born at the point where this routine coincides with the tailoring routine, is examined by an ethnomethodological way. The themes reached in the field are discussed in the axis of key concepts by considering the projection of cultural hybridization, which is one of the social design tools in the capitalist economic process, on the individuals and body and evaluates each individual under equal conditions and thus has an absorbing essence. As a result, it is seen that mechanism of imitation has an effect on the individuals preferences of dressing. At this point, it has been shown that the embodiment on the external body of the publicness formed by the fashion and individuals who follow the fashion via mechanism of imitation have a certain importance in tailoring routine. It is underlined that fashion, which has a mutual form about thinking and action, and which contains a motivation that allows to be released from this mutualisation, is a cyclical phenomenon in the context of shaping mediated social class of the external-body and therefore is in an unpredictable room for manoeuvre.
Açıklama
Anahtar Kelimeler
dış-beden, moda felsefesi, taklit mekanizması, terzilik rutini, external-body, fashion philosophy, mechanism of imitation, tailoring routine
Kaynak
Akdeniz Sanat Dergisi
WoS Q Değeri
Scopus Q Değeri
Cilt
13
Sayı
24
Künye
KINA, S. A. (2019). Moda Felsefesi ve Taklidin Etnografisinin İzini Terzilik Rutini Üzerinden Sürmek. AKDENİZ SANAT DERGİSİ, 13 (24), 83-97. Retrieved from http://dergipark.org.tr/akdenizsanat/issue/47178/594093