ŞERHA TESEWIFÎ YA QESÎDEYA “BANGÊ WEYS” A KERBELAYÎ
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Dosyalar
Tarih
2022
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
Mardin Artuklu Üniversitesi
Erişim Hakkı
info:eu-repo/semantics/openAccess
Özet
Wisa tê bawerkirin ji nifşa tabi‘în Weys el-Qe- renî bi rêya xewn û rêyên menewî ji aliyê Hz. Pêxember ve hatiye îrşadkirin. Ji ber vê baweriyê, di rêya tesewifê de kesekî bêyî ku murşîdekî bi- bîne, bi rêya xewn yan jî bi rêyên menewî întisa- bê wî murşîdî bike hingê jê re Uweysî, ji wê rêya girêdana tesewifî re jî Uweysîtî hatiye gotin. Gelek şêxên navdar di dîroka tesewifê de bi navê Uwey- sî hatine naskirin. Yek ji van şêxên ku bi nasnavê Uweysî hatiye naskirin, avakerê terîqeta Neqşî- bendî, Şêx Muhemed Behauddînê Şahê Neqşî- bend e. Wî întisabê rûhaniyeta Şêx ‘Evdilxaliqê Ẋucdewanî kiriye û navlêka Uweysî girtiye ku di terîqeta Neqşîbendî de ev nasnav gelek giring e. Ji berê ve gelek şairên ehlê tesewifê di qesîde û me- dhiyeyên xwe de bi unwana Uweysî pesnê Şahê Neqşîbend daye. Yek ji wan şairan jî Şêx Muhe- medê Axtepî ye ku bêtir bi mexlesa xwe ya Kerbe- layî hatiye nasîn. Kerbelayî ji malbata Axtepiyan e û wek tê zanîn ew malbat di sedsala XIX-an de daye pey rêka Mewlana Xalidê Şarezorî û di nav terîqeta Neqşî-Xalidî de cih girtiye. Qesîdeya Ker- belayî ya bi redîfa “Bange Weys” hatiye nivîsîn ji hivdeh beytan pêk hatiye û dikare bê gotin ew yek ji wan qesîdeyên giring e ku kûrahiya şair di ede- biyata tesewufî de nîşan dide. Şair di vê qesîdeya xwe ya farisî de redîfa “Bange Weys” wek metafor û mecazeke guhêrbar bi kar aniye. “Bangê Weys” di wateya peyam û mîsyona Weys de ye ku şair ev metafor carna bi wateya heqîqî di şûna Weys el-Qerenî de xebitandiye û carna jî bi behskirina sifet û taybetiyên Şahê Neqşîbend îşaretî peyama wî ya gerdûnî kiriye. Şair ev metafor di çarçoveya edebiyata tesewifî de bi alîkariya îstîare, mecaz û kînayeyan di gelek wateyan de bi kar aniye. Me di vê nivîsarê de hewl da ku qesîdeya navborî digel taybetiyên wê yên edebî, li dor tesewifê şirove û rave bikin.
The Yemeni zahid Uweys al-Qarani, a descendant of the tabi’in, is believed to be guided by the Prophet through dreams or other spiritual ways. On this sufistic belief, in spite of not directly related to any master or guardian, the person who connects to that master or guardian through dreams and spiritual ways is called Uweysi, and the method of connecting to sufism in this way is called Uweysism. Many wellknown sheikhs in the history of sufism are known as Uweys. One of these sheikhs, named or known by his Uweys, is Shah-i Naqshband, the founder of the Naqshbandiyya Sect. The Uweysî identity of Shah-i Naqshband, who got the name of Uweysî by following the spirituality of Khace Abdulkhaliq Ghujduwanî, has an important place in the Naqshbandiyya Sect. The Uweysî identity of Shah-i Nakshiband, who got the name of Uweysî by following the spirituality of Khace Abdulkhaliq Ghujduwanî, has an important place in the Naqshbandiyya sect. Throughout history, many sufi poets went through, mentioned Shah-i Naqshband with the title of Uweysî in his praises or qasidah and emphasizing this feature of him. One of these sufi poets is Sheikh Muhemed Karbalayî from the 19th century, one of the sufi poets of the Akhtep school, which was an important Nakshi-Khalidi school in the 19th century. Karbalayî’s eulogy of seventeen couplets, in which he voiced his qasidah-ghazal with the redif of ‘Bange Weys’; is one of the important eulogies reflecting the poet’s depth in sufism and sufi literature. In this eulogy written in Persian, the poet used Bangê Weys (the message of Weys) as a metaphor and a variable metaphor. He sometimes identified this metaphor with Bangê Weys radif, which means the message and mission of Weys, with Weysel al-Qarani in a real sense, and sometimes he worked by mentioning his attributes and characteristics together with the universal messages of Shah-i Naqshband emphasizing the absolute divine essence. The poet dealt with this metaphor, by using of methods such as metaphor, imagery or allusion, within the framework of the rich literature of sufi literature. In this study, Karbalayî’s eulogy has been annotated based on mystical methods and interpretations, together with its literary features.
The Yemeni zahid Uweys al-Qarani, a descendant of the tabi’in, is believed to be guided by the Prophet through dreams or other spiritual ways. On this sufistic belief, in spite of not directly related to any master or guardian, the person who connects to that master or guardian through dreams and spiritual ways is called Uweysi, and the method of connecting to sufism in this way is called Uweysism. Many wellknown sheikhs in the history of sufism are known as Uweys. One of these sheikhs, named or known by his Uweys, is Shah-i Naqshband, the founder of the Naqshbandiyya Sect. The Uweysî identity of Shah-i Naqshband, who got the name of Uweysî by following the spirituality of Khace Abdulkhaliq Ghujduwanî, has an important place in the Naqshbandiyya Sect. The Uweysî identity of Shah-i Nakshiband, who got the name of Uweysî by following the spirituality of Khace Abdulkhaliq Ghujduwanî, has an important place in the Naqshbandiyya sect. Throughout history, many sufi poets went through, mentioned Shah-i Naqshband with the title of Uweysî in his praises or qasidah and emphasizing this feature of him. One of these sufi poets is Sheikh Muhemed Karbalayî from the 19th century, one of the sufi poets of the Akhtep school, which was an important Nakshi-Khalidi school in the 19th century. Karbalayî’s eulogy of seventeen couplets, in which he voiced his qasidah-ghazal with the redif of ‘Bange Weys’; is one of the important eulogies reflecting the poet’s depth in sufism and sufi literature. In this eulogy written in Persian, the poet used Bangê Weys (the message of Weys) as a metaphor and a variable metaphor. He sometimes identified this metaphor with Bangê Weys radif, which means the message and mission of Weys, with Weysel al-Qarani in a real sense, and sometimes he worked by mentioning his attributes and characteristics together with the universal messages of Shah-i Naqshband emphasizing the absolute divine essence. The poet dealt with this metaphor, by using of methods such as metaphor, imagery or allusion, within the framework of the rich literature of sufi literature. In this study, Karbalayî’s eulogy has been annotated based on mystical methods and interpretations, together with its literary features.
Açıklama
Anahtar Kelimeler
Tesewif, Weys el-Qerenî, Qesîde, Bangê Weys, Şêx Muhemed Kerbelayî., Sufism, Uweys al-Qarani, Qasidah, Bang-i Weys, Sheikh Muhammed Karbalayî.
Kaynak
e-Şarkıyat İlmi Araştırmalar Dergisi
WoS Q Değeri
Scopus Q Değeri
Cilt
14
Sayı
2
Künye
BAŞÇI V, AYKAÇ Y (2022). ŞERHA TESEWIFÎ YA QESÎDEYA “BANGÊ WEYS” A KERBELAYÎ. e-Şarkıyat İlmi Araştırmalar Dergisi, 14(2), 537 - 562. 10.26791/sarkiat.1113022
